Saturday, October 25, 2008
During its difficult recording sessions, Barrett became increasingly unstable and in January 1968, David Gilmour was brought in. Barrett was finally removed from the band by early March, leaving this new incarnation of Pink Floyd to finish the album. As a result, A Saucerful of Secrets is the only non-compilation Pink Floyd album on which all five band members appear, with Gilmour appearing on five songs ("Let There Be More Light", "Set the Controls for the Heart of the Sun", "Corporal Clegg", "A Saucerful of Secrets", and "See-Saw") and Barrett on three ("Remember a Day", "Set the Controls for the Heart of the Sun", and "Jugband Blues"). As well as "Jugband Blues", the album was to include "Vegetable Man," another Syd Barrett song. However, the band believed "Vegetable Man", with its autobiographical lyrics, was unsuitable for inclusion and so it was left off the album. The song was to appear on a single as the b-side to another unreleased track, "Scream Thy Last Scream". Two additional Syd Barrett songs, "In The Beechwoods" and "No Title" were also recorded early in the sessions for the album.
An image of the Living Tribunal from Marvel Comics can be seen in the cover's upper left corner. "Set the Controls for the Heart of the Sun" is the only Pink Floyd song that features all five band members. Keyboardist Richard Wright sings lead or backing vocals on four of the album's seven songs, making this the only Pink Floyd album where Wright's vocal contributions outnumber those of the rest of the band.
01. Let There Be More Light
02. Remember a Day
03. Set the Contols for the Heart of the Sun
04. Corporal Clegg
05. A saucerful of Secrets
06. See Saw
07. Jugband Blues
Tuesday, October 14, 2008
Cullum released his first album, Jamie Cullum Trio—Heard it All Before, in 1999, of which 500 copies were made. Due to their rarity, original copies have sold for as much as £600 on eBay. The success of Heard It All Before resulted in Cullum being invited to appear on Geoff Gascoyne's album Songs of the Summer. After graduating from the University of Reading in 2001, Cullum released a best-selling album, Pointless Nostalgic, which stirred interest from Michael Parkinson and Melvyn Bragg. (Cullum made his first television appearance on Parkinson's BBC chat show and was the last musician to perform on the Michael Parkinson Show 'Final Conversation' recorded on 26th November and broadcast on 16th December 2007.)
In April 2003, Cullum signed a contract for three albums with Universal, who beat Sony in a bidding war. Cullum's third album, Twentysomething, released in October 2003, went platinum and became the #1 selling studio album by a jazz artist in the United Kingdom.
Although primarily a jazz musician, Cullum performs in a wide range of styles and is generally regarded as a "crossover" artist with his musical roots firmly based in jazz. Cullum draws his inspiration from many different musicians and listens to a very eclectic mix of music from Miles Davis to Tom Waits and many more. Cullum has belonged to several bands, ranging from banging drums in a hip hop group to playing guitar in rock bands such as Raw Sausage and The Mystery Machine, in his teenage youth. Cullum names his elder brother, Ben Cullum, as his biggest musical influence, and the two have collaborated extensively.
Jamie Cullum is well known not only for his abilities on the piano, but also for his unique entertainment style and charisma. One of the many things that features in Jamie's concerts is the "stompbox" (not to be confused with an effect pedal for guitars), made from a small wooden block. The stompbox is used to amplify a musician's tapping foot. Jamie found this in Australia and uses it to enhance upbeat and fast-paced songs such as Seven Nation Army originally by the White Stripes and "Gold Digger", originally by Kanye West. He is also often found using a looping machine. This plays a heavy part in Cullum's versions of Seven Nation Army and Teardrop by Massive Attack. Cullum is also often found beatboxing at nearly every gig.
As well as White Stripes and Kanye West, Cullum has performed work by Massive Attack, Pussycat Dolls, Radiohead,Gnarls Barkley, Elton John, Jimmy Hendrix, Justin Timberlake, John Legend, Joy Division and many others. Cullum rarely works to a set list and on average his gigs last just over two hours. The gigs are largely improvised, rooted in jazz but not solely consisting of jazz music.
Cullum has played at many large music festivals, including Glastonbury Festival 2004, Coachella 2005, 2006 South by Southwest, North Sea Jazz Festival and the 2006 Playboy Jazz Festival. On the April 29, 2006, Cullum played his biggest ever crowd on Queensday in The Netherlands.
On August 20th, 2008, Jamie celebrated his 29th Birthday (his last as a “Twentysomething”) at the Hollywood Bowl, performing with the Count Basie Orchestra.
Monday, October 13, 2008
Some of the more notable musicians who have joined the band for a time were: Jon Lord, Ian Paice, Cozy Powell, Aynsley Dunbar, Rudy Sarzo, John Sykes, Adrian Vandenberg, Vivian Campbell, Tommy Aldridge and Steve Vai.
The band's early material has been compared by critics to Deep Purple, not only because three past members of the band were once in Deep Purple, but also because of their sound and influences. Later, the band took on a sound more in line with the melodic hard rock popular in the mid to late eighties.
Musically, the album is far more commercial than previous Deep Purple releases, tending toward a conventional hard rock focus with overtones of soul and funk. The album shows the strong funk influence of Glenn Hughes on the band at this point, who had formed a bond with the equally commercially-minded Bolin. In general the album is considered one of Deep Purple's lesser efforts, although it did sell reasonably well on release (#19 in the UK charts, and #43 in the US).
After tours for this album, Deep Purple broke up for eight years. In 1976 Tommy Bolin died from a heroin overdose.
In recent years the album has received some critical reassessment, primarily due to Bolin's contributions to the album.
This record, which had been out of print in the US for over 20 years, was re-released by Friday Music label on July 31, 2007 (Along with Made in Europe and Stormbringer). While the label's website claims that the album has been digitally remastered, it is unclear which tapes were used as a source for this remastering. This fact is of special note in the case of this record, since EMI has claimed for years that the master tapes of this album are missing.
1. "Comin' Home" (David Coverdale, Tommy Bolin, Ian Paice) – 3:55
2. "Lady Luck" (Coverdale, Roger Cook) – 2:48
3. "Gettin' Tighter" (Bolin, Glenn Hughes) – 3:37
4. "Dealer" (Coverdale, Bolin) – 3:50
5. "I Need Love" (Coverdale, Bolin) – 4:23
6. "Drifter" (Coverdale, Bolin) – 4:02
7. "Love Child" (Coverdale, Bolin) – 3:08
8. a) "This Time Around" (Jon Lord/Hughes)
b) "Owed to 'G'" (instrumental) (Bolin) – 6:10
9. "You Keep on Moving" (Coverdale, Hughes) – 5:19
On an Island is the third solo album by David Gilmour, best known as a lead vocalist and guitarist for Pink Floyd. It was released in the United Kingdom on 6 March 2006, Gilmour's 60th birthday, and in the U.S. the following day. It is Gilmour's first new solo album in 22 years. The song "Castellorizon" received a Grammy Award nomination for best rock instrumental.
The album has achieved platinum status in Canada, selling over 100,000 copies in the first month of its release, and sold over 1 million copies worldwide.
Gilmour’s choice of collaborators is equally compelling, from the evocative orchestrations of Polish classical modernist Zbigniew Preisner and expected contributions from Floyd (Richard Wright and proto-Pink mate Rado "Bob" Klose) to a host of guest turns that span both decades and styles: Georgie Fame, Phil Manzanera, Jools Holland, Caroline Dale and Robert Wyatt. The title track is graced by the stately harmonies of David Crosby and Graham Nash while the instrumental "Then I Close My Eyes" spins a hypnotic, bayou-meets-boho ethos where Dale’s gentle cello lines meet the melancholy cornet flourishes of Wyatt to challenge the very notions of genre itself. "This Heaven" finds Gilmour in unexpected R&B territory, weaving playful riffs with ‘60s London scenester Fame’s Hammond organ and finding its lyrical spirituality in simple, personal intimacy, a subtext that wafts through the upbeat airiness of "The Blue" to the spare "Smile," spinning a surprisingly romantic elegy that co! mes satisfyingly full circle on the closing "Where We Start." No man may be an island, but Gilmour has nonetheless crafted a rewarding artistic oasis on this, his finest and most gently personal album. -- Jerry McCulley.
Leb i sol (Macedonian: Леб и сол) is a Macedonian rock group founded in the 1970s by Vlatko Stefanovski (guitar), Bodan Arsovski (bass guitar), Nikola Kokan Dimuševski (keyboards) and Garabet Tavitjan (drums). Tavitjan ceded the drumwork to Dragoljub Đuričić for some of the albums, while Kiril Džajkovski replaced Kokan on Kao Kakao and Putujemo. Beside being the most eminent Macedonian band, they were also one of the most important acts of the former Yugoslav Rock scene.
"Leb i sol" is a traditional greeting which literally translates to "bread and salt". It is often used as an expression of spite or determination; e.g. "I will eat bread and salt if I have to, but I will not give in!". Their music combined elements of rock, jazz fusion and ethnic Macedonian music. As the band matured, the jazz influences became less obvious. However, in concert, Leb i sol performances of jazzed-up and lengthy versions of traditional ethno-folk classics such as "Jovano Jovanke" or "Aber Dojde Donke", were often received with great enthusiasm and cheer.
Leb i sol were very popular in the 1970s and 1980s and, while not selling as many records as some pop and folk acts, where very well known and respected and often sold-out venues in most of the larger cities in the former Yugoslavia. The first two albums are often considered foundational, while most are diverse enough to be, at least in part, accessible to a fairly wide audience. The influence of ethnic music and folk music of Republic of Macedonia are recognizable in the use of odd meters (5/4, 7/8) and non-traditional scales (e.g. the Phrygian dominant scale). While all the musicians were fairly accomplished, Vlatko Stefanovski is frequently regarded as an exceptional guitar virtuoso.
Leb i sol recorded their last CD Live in New York in 1991.
Sunday, October 12, 2008
1. "No More Walks in the Wood" (Don Henley, Steuart Smith, John Hollander) - 4:00
2. "How Long" (J. D. Souther) - 3:20
3. "Busy Being Fabulous" (Don Henley, Glenn Frey) - 4:17
4. "What Do I Do with My Heart" (Glenn Frey, Don Henley) - 3:55
5. "Guilty of the Crime" (Frankie Miller, Jerry Lynn Williams) - 3:44 -
6. "I Don't Want To Hear Any More" (Paul Carrack) - 4:25
7. "Waiting in the Weeds" (Don Henley, Steuart Smith) - 7:10
8. "No More Cloudy Days" (Glenn Frey) - 3:58
9. "Fast Company" (Don Henley, Glenn Frey) - 3:58
10. "Do Something" (Don Henley, Timothy B. Schmit, Steuart Smith) - 5:06
11. "You Are Not Alone" (Glenn Frey) - 2:30
The Eagles MTV Unplugged Second / Alternate Night
Venue: Warner Bros. Studios, Burbank, CA
Date: April 28, 1994
1. Peaceful Easy Feeling
2. Best of My Love
3. Tequila Sunrise
4. Help Me Thru The Night
5. The Heart Of The Matter
6. Love Will Keep Us Alive
7. Learn To Be Still
8. Hotel California
9. Strings Soundcheck
10. Wasted Time
11. Wasted Time Reprise
12. Lover's Moon
13. Pretty Maids All In A Row
14. I Can't Tell You Why
15. The Girl From Yesterday
16. New York Minute
17. The Last Resort
19. Take It Easy
20. One Of These Nights
21. In The City
22. Heartache Tonight
23. Life In The Fast Lane
24. Get Over It